Dr Aki Pasoulas，电声作曲家兼音乐总监&

英语创意写作学院开放研讨会致力于研究一件艺术品与世界相遇之前、背后和无形之外的方法和过程。大多数情况下，该系列分享了关于写作文本的见解，但本周，该系列邀请了Aki Pasoulas博士来谈论环境声音，时间，记忆，感官，以及如何将所有这些结合起来并将其转化为听觉空间。

Dr Aki Pasoulas是一位电声作曲家和音乐总监;音乐系音响艺术剧场(MAAST)肯特大学音频技术专业。开云体育主頁(欢迎您)开云体育app客服主要研究方向为电声音乐、时间尺度感知、空间声音、心理声学、声音感知、声音传播、声景生态。他的学术和音乐作品通过EMI/KPM, ICMA, Sonos Localia, HELMCA，剑桥和牛津大学出版社出版，他的商业声音设计作品被用于世界各地的许多电视节目，纪录片和电影中。开云体育主頁(欢迎您)他的音乐不断在世界范围内演出，获得荣誉提名，并在国际作曲比赛中入围。Aki是ahrc资助项目的首席研究员一个声音重写:重新访问查塔姆历史造船厂，研究声音在影响我们对空间和地点的体验中的作用，并研究遗产背景下的声音环境。

‘在这次演讲中，我将谈谈我创作我的作品< I >Irides的方法。 This method is in constant development and it is based on the interpretation of information received through all senses as gestural and textural activity in the aural domain. My method attempts to map our experiences from a number of systems (visual, gustatory, olfactory and haptic environments) to another (aural space). For the making of my piece I used information collected through my walks, including environmental recordings and sensory maps as starting points to create layers of sound material. My composition explores interrelationships between music, time perception, memory and the listening environment, based on senses acting on different timescales. Evidently, listeners do not relive the experiences I had through the walks, as the composition does not replicate them. Instead, this process allows composers to creatively use information that we receive from other senses, often neglected when thinking about sound. Perhaps this approach will inspire creators in different disciplines, and I would be delighted if this short talk initiated interesting discussions with participants’ experiences. Irides can be listened to online; programme notes are on the same page.’

View the event and join on zoom on Tuesday 23rd March at 4pm.

音乐和音频技术专业的学生，Caitlin Fox写了一篇关于Hayley Williams如何影响她的音乐之旅的文章。

在国际妇女节来临之际，我认为作为一名女性，反思那些在音乐行业产生影响的女性是很重要的。在我的音乐之旅中，有许多著名的女性影响了我;比如Pauline Oliveros, Wendy Carlos, Stefani Germanotta, Brittany Howard, Florence Welch, Victoria Smith, Alice Phoebe Lou和Barbra Lynn。在我未来从事中学音乐教育的职业生涯中，同样重要的是要注意到我有幸向珍妮·哈利迪、劳拉·皮克顿、露丝·赫伯特、安娜·尼尔、凯利·弗雷泽和杰基·沃尔达克等优秀的教育家学习。

多年来，海莉·威廉姆斯(Hayley Williams)一直激励着我，她是田纳西州的歌手、词曲作者、音乐家和女商人，也是Paramore乐队的主唱。

我听Hayley Williams的歌已经有大半辈子了。作为一名女性，我看着她在音乐行业的成长，也看着她讲述自己的挣扎和成功。虽然海莉在创作和表演男性主导的音乐流派时遇到了很多困难，但她是一位受欢迎的艺术家，她通过使流行朋克/摇滚更具包容性来对抗性别差异。通过海莉对不平等现象的呼吁，我能够看到更多的女性代表，并在我喜欢的流派中发现更多的女性艺术家。这也是我开始公开表演的时候，海莉的行为让我在选择流行朋克和摇滚等流派的曲目时感到很舒服。我多年前做出的这些选择，将我塑造成了今天音乐行业的女性。

In recent years Hayley has stopped using Paramore’s most popular song ‘Misery Business’ in live shows, as well as requesting that it was no longer included in streaming platform’s playlists because of its lyrics being degrading towards women. She mentioned in a blog post that although she had written the song from a narrow-minded perspective at 17, she is now thankful for experiences and mistakes that has shaped her into a better person; also mentioning that she is ‘a proud feminist, just maybe not a perfect one’. Hayley is also a passionate advocate of mental health and has been open with her own struggles, mentioning in her interviews and music that it isn’t shameful to seek help, attended therapy or take medication. She also uses her social media to highlight feminism and key issues such as discrimination within the industry and racism, like allowing the female-led group ‘Teens 4 Equality’ to use her platform to amplify their message.

In May 2020 Hayley released her debut solo album which was rich in topics of female empowerment and emotional and mental growth. This album was also brought into fruition by an all-female team organised by Warner’s Atlantic Records. 9 months later and still in a global pandemic, Hayley released her second album that she recorded at home. Showcasing her female independency by performing all instruments and vocals herself, as well as writing the entire album single-handedly.

Alongside a flourishing music career, Hayley has always utilised her entrepreneurial skills to create business opportunities such as the cruise ship festival ‘Parahoy’ and collaborations with companies like MAC Cosmetics. Hayley is also the co-creator of the inclusive hair care and dye company ‘Good Dye Young’ where her vison is to create a community around the freedom of self-expression, colour and happiness about being who you are.

This is just a small explanation as to why Hayley Williams, one of many women, is such an important figure in my development as not only a woman but as a woman within music.

Caitlin Fox – Music and Audio Technology.

讲师Anna Neale-Widdison最近推出了她的新播客‘重点是什么?&# 8217;播音员兼作曲家丹·奇泽姆。第一集，“音乐产业的意义在哪里?”Dave Rowntree (Blur)的采访，以及数字技术对创作者的影响。什么是重点?’我们将探索作为一名艺术家或创意人员在音乐行业工作的真实感受，敬请期待未来的剧集。

Anna Neale在音乐行业专业工作了20年，担任艺术家，词曲作者，作曲家，工程师，制作人，会议歌手和音乐讲师。安娜周游世界，独立发行了三张专辑和两张EP，广受好评，为其他艺术家创作歌曲，广播和电视广告，并为许多电视动画，歌曲和广告提供了声音。安娜的新播客是她最新研究的一部分。

作曲家和高级讲师 Aki Pasoulas博士受智利项目SoundLapse的研究人员委托，专门根据智利湿地记录的材料创作一个新的音景作品。该项目通过现场录音和创新的声音延时蒙太奇方法探索自然栖息地，由艺术家、生物学家和计算机科学家共同设计和实施。

Aki将创作的作品探索了双低音技术，并将于2021年底由德国唱片公司Gruenrekorder发行。

音乐商业与制作讲师Anna Neale-Widdison，与《Fable Feast’s The curse Word合作。《寓言盛宴》是一场讲故事的庆典，也是一种突破我们体验故事的界限的渴望。Fable Teast写道，‘我们将多感官学科与不寻常的空间混合，在不熟悉的中寻找叙事旅程，并将被接受的变成意想不到的。’< span class="color_11"> 。

被诅咒的诗句是一个互动的封锁剧院体验，涉及36个创意，12首诗在世界各地。Anna Neale-Widdison为Strange New Kid作曲、制作和混音，现在可以在线观看了。

音乐与音频技术’s研究项目，‘一个声音重写:重新参观查塔姆历史造船厂‘，在11月12日星期四的ITV子午线晚间新闻中有专题报道:“由于一个新项目，查塔姆历史造船厂的声音将被发掘出来。肯特大学的研究人员将在这里重现过去40开云体育主頁(欢迎您)0年来开云体育app客服人类活动和工业遗产的声音。他们还将研究声音在影响我们对地点和空间的体验方面的作用。

音乐和音频技术中心高兴地宣布他们的新研究项目，声波重写:重新参观查塔姆历史造船厂。这个艺术与人文研究理事会(AHRC)的重大项目于2020年9月开始，将持续到2022年底。它旨在重现过去的音景，并探索在遗产背景下声音的使用。该项目源于声景研究，并将研究查塔姆历史造船厂过去的声音环境。

项目团队由首席研究员， Aki Pasoulas博士，联合研究员， Andrew Knight-Hill博士和研究助理， Brona Martin博士组成。这个令人兴奋的新研究项目的合作伙伴是AHRC， 查塔姆历史造船厂和坎特伯雷学院<开云体育app客服/a>。